Get it Type: Six Fundamentals of Good Typography in Website Design

Typography is often one of the least appreciated – yet most important – aspects of website design. So much more than just the “font” that is used to present your site’s content, the choice of typeface does as much to set the tone of the site as the colors, images and other visual components of the design. If the content on your website is your brand’s message, then the typography is the voice with which your site speaks that message. The study of typography has a long and rich history. While designers work for years to perfect this practice, by cultivating an understanding of a few basic principles, you can more effectively communicate with your design team as you work collaboratively to make the right typography choice for your website and, through those choices, find the perfect voice for your site. Here are six fundamentals of good typographic design that will help you avoid potential pitfalls and make sound aesthetic choices that will strike the right tone and support the delivery of your message:

1. Know what’s possible.

If you’ve been involved in a website design project in the past, then you’ve likely heard the phrase “web-safe fonts.” For years, limitations in web browsers forced us to utilize a very small group of fonts for our websites. If you requested the use of a font that fell outside of this select group, you would have been directed, instead, to one of these web-safe fonts so that the site’s text could be reliably displayed across a wide variety of browsers. In the past few years, however, this restriction has been greatly minimized as a new feature called @font-face (pronounced “at font face”) has been introduced, allowing us to make use of thousands of new fonts on our websites in a reliable way. This is both a blessing and a curse. The blessing lies in the ability to use the wide array of wonderful typefaces available to us today to create incredibly rich and unique designs. The curse is that, with so many options, it’s all too easy to overdo it and create a muddled mess with competing typefaces that obfuscate the message you are trying to send. Also, despite all of the advancements made in web fonts in the past few years, there are still limitations to what we can and cannot do with fonts on websites, so ask your web design team about these limitations to ensure you make choices that will work on a technical level.

2. Make strategic use of different font classifications.

Different font classifications have different feels and serve different purposes, so developing an understanding of these classifications is a good place to start.

Serif

A serif is “any of the short lines stemming from, and at an angle to, the upper and lower ends of the strokes of a letter.” If you look at a font like Times New Roman, you will notice the little flourishes that hang off the ends of each letter, adding an extra embellishment to those letterforms. Besides Times New Roman, other popular serif fonts include Georgia, Baskerville, Garamond and Palatino. Serif fonts are often used when you want to convey a sense of history or tradition in a design. Historically, serif fonts were used in the body text of printed works because they made large blocks of text easy to read. For computer screens, serif fonts are very versatile and can be used effectively for either body text or headlines. The accounting and business consulting firm KLR uses the serif font Georgia throughout their site to create a look that conveys a sense of professionalism, trustworthiness and experience.

Sans-serif

Sans-serif, or “without serif,” fonts feature letterforms that do not have the extra embellishments found on serif fonts. Common sans-serif fonts include Arial, Helvetica, Verdana, Futura and Tahoma. In printed text, sans-serif fonts were typically used only as headlines because it was easier to read body text set as a serif font rather than a sans-serif, but for computer screens and websites, sans-serif fonts are equally as readable and versatile as serif fonts, so they can be used either for headlines or body text. The straight lines of sans-serif fonts and the lack of extra ornamentation often make these typefaces good choices to create a sleek, modern look. An example of sans-serif fonts can be found here on Fame Foundry in our navigation, our main billboard message and throughout our site in both headlines and body text.

Slab-serif

Similar to serif fonts in that they have extra embellishments added to them, slab-serif fonts often feature thicker, chunky letters whose serifs are blocky with little, if any, contrast between thin and thick lines. Typical slab-serif fonts include Rockwell and Clarendon. The bold letterforms and serifs of this font classification often give them a strong, impressive weight when used as headlines. These fonts are typically not used as body text but are often set in large sizes as headlines. An example of slab-serif fonts can be seen in the logo, navigation and main headlines of Brown Family Seafood’s website, which uses a typeface called ChunkFive.

Display

Display fonts are typefaces that are typically only used at large sizes and are therefore better suited to headlines and large messages than body text. Display fonts typically have lots of character to them and are richly designed. With a wide variety of looks and styles available in display fonts, these fonts can be an excellent choice for headlines since they will add that character to the design, but these fonts are also easy to abuse or overuse. Typically, more than one display font in a design is too much. A few examples of display fonts are shown below:

Grunge

Grunge fonts are typefaces that are designed to show artificial wear, almost like the printing on a vintage t-shirt that has been through the wash many, many times. These fonts, which are also typically used only in headlines or for large, short bursts of text, are a great choice when you are trying to add a worn, textured feel to your design. The city locations listed in the billboard text on Zombie Charge, which tries to recreate a worn and battered look for their zombie-themed adventure runs, uses a grunge font called Umbrage.

Script

Script fonts have a classy, elegant feel to them. These fonts typically have long, flowing characters and very thin letterforms. Because of this, script fonts are often only used for headlines and at larger sizes, because if you set these fonts too small, the thin letters become unreadable. Script fonts are a great choice when you are looking for a high-end, elegant feel and tone. You can see a script font, Allura, used in a number of places in the design for Concord OB/GYN, including in their navigation and main billboard messaging.

Hand-drawn

Fonts that are classified as “hand-drawn” have an organic, if perhaps flawed, look to them. If a script font is drawn by a master artist, then a hand-drawn font is scratched out by an everyday writer who may be in a bit of a rush. These fonts can be used to add a human touch to a design and make it feel like an actual person, and not a digital computer, wrote out the words. The font Mathlete that is used on the billboard message for Sweet Nina’s Nom-Noms has an organic, hand-drawn feel to it that reflects the handcrafted desserts that the company offers.

Novelty

Novelty fonts are often made to replicate popular brands and their distinct characteristic look (think Coca-Cola or Harry Potter). Because of their inextricable association with a well-known brand, these fonts are rarely appropriate to use on a website for another company. Other novelty fonts simulate things like dripping liquid, wood pieces or bones to create the letterforms. While these display fonts are not immediately associated with another brand or company, their overly stylized design also makes them a poor choice for most applications – although if you are going for this type of overly stylized look (for a Halloween-themed billboard message, perhaps), then they can be considered. A few examples of novelty fonts are show below:

3. Always preserve readability.

As you undoubtedly noticed in perusing the above overview of font classifications, most of these fonts are meant to be set at large sizes as headlines. Only serif and sans-serif fonts are versatile enough to be used effectively for both headlines and body text. This is because of readability. If the font you use for your website is your site’s voice, you not only want to be sure the voice is appropriate for your brand but also that the voice speaks clearly. In this case, “speaking clearly” means having text that is easy to read. The overly stylized letterforms of grunge or display fonts and the thin letters of script or hand-drawn typefaces make them difficult, if not impossible, to read when set at smaller sizes. Since body text is set at smaller sizes, using these fonts would be an inappropriate choice. Regardless of which font you use, be sure to view it at the size that it will be set at for the actual website and in the colors that will be used. This will allow you to see the contrast that font has when set against its background so you can determine if the choice you have made provides an easy reading experience for your audience.

4. Avoid overused fonts.

Certain fonts carry a stigma with them due to how they may have been used, or overused, in the past. Fonts like Papyrus have been used in so many – often poorly applied – ways that they immediately have a negative association attached to them. In the case of Papyrus, there is even a website called Papyrus Watch that will show you many examples of how this font has been used and abused. Other fonts become overused in a relatively short time. The typeface Gotham was used by the Obama campaign in 2008, and it quickly started showing up everywhere as other designers jumped onto the bandwagon of this suddenly popular font. As a result, Gotham quickly hit the saturation point and now feels cliched. Some fonts may not be overused in general but only in your niche or market. If your competitors all use the same type choices, there is an easily forgettable, vanilla quality to that approach. By choosing a different typeface, you can set yourself and your site apart from your competition right from the start.

5. Practice restraint.

The wealth of fonts available to use today makes it very easy to overdo it, but by practicing restraint and limiting your site to maybe two or three different font choices at most, we can work to avoid overuse. As Robert Bringhurst says in his definitive volume, The Elements of Typographic Style, “Don’t use a font you don’t need.” By limiting your site’s design to only a couple of choices, you’ll create a clean, clear visual rhythm and ensure that the variety of type styles do not create a confusing mess.

6. Choose complementary fonts.

One way to limit your font choices is to select a pair of fonts that contrast and complement each other, perhaps with one choice for headlines and another for body text. This contrast, and the restraint demonstrated by your choices, will help create a professional and readable presentation. A look at my own personal website shows this contrast. The site uses two fonts, the thick slab-serif ChunkFive for the navigation, main billboard message and logo, and a contrasting sans-serif font, Roboto, for the body text. The thick, chunky letterforms of the slab-serif work well alongside the thin, clean letters of the serif, creating a presentation that is easy to read with font choices that do not overpower the messages I am trying to send.

In summary

With a basic understanding of typographic best practices, you can better communicate with your design team to select font choices that work best for your organization. Some basics to remember include:

1. Despite the advancements made in web fonts in the past few years, there are still limitations to what we can and cannot do with fonts on our websites. Ask your web team about these limitations to ensure you make choice that will work on a technical level.
2. Understand the different font classifications and make choices that reflect the personality of your brand.
3. Always remember that readability is key and choose fonts set at a size and color contrast that make them easy to read on the screen.
4. Avoid overused fonts or fonts that carry a negative association with them from the very start.
5. Don’t overdo it. A few judicious selections should be all you need.
6. Look for fonts that pair well together. Using one font for headlines and another for body copy is one way you can the number of fonts while still maintaining nice variety and contrast.

---

Parallax Scrolling 101: The Good, The Bad and The Beautiful

One of the hottest trends in website design is parallax scrolling. First employed by Ian Coyle on the Nike Better World site in 2011, this is a special scrolling technique wherein background images move by the camera – or in this case, your computer screen – more slowly than images in the foreground, thereby creating an illusion of depth in what is in reality a two-dimensional environment on your screen.

With its explosive popularity, you have likely seen this effect in use but may not have known exactly what it was or how parallax scrolling is reshaping the landscape of today’s Web. But just like any trend or technique, parallax scrolling is not the right fit for every site, and it does have a few drawbacks. To help you decide whether this is a bandwagon you should jump on, let’s dive in and take a look at parallax scrolling from every angle – the good, the bad and the beautiful.

The good

The obvious benefit of parallax scrolling is its undeniable visual wow factor. Even though this technique has become very popular of late, it is still not so overdone that it has become commonplace. This means that any site that uses this approach well will make a lasting impression on its visitors. In a world where every company and organization is looking for a way to stand out from the crowd, this can be a powerful advantage.

The bad

While the bold visual impact of parallax scrolling is hard to beat, there is a downside to all that eye-popping punch: due to the weight of these graphic-intensive designs, these sites generally take a bit longer to load. In our modern age of impatience, this could potentially be a deal-breaker. Many people will not wait more than a few seconds for your site to load, so if your awesome parallax scrolling means that you have a 20-second load time (which is not unheard of), that is a big problem.

The reason that parallax sites take longer to load is due to the size of the images that must be used to create this style of presentation. As a result, you must be cautious in how you implement this technique. It's easy to overdo it, thereby making your site so large and cumbersome that you’ll turn away customers who aren’t inclined to wait for the page and its images to load.

If you are considering incorporating a parallax effect on your site, be sure to consider performance and work with your web development team to ensure that all images are optimized so that your site not only looks great but also loads as quickly as possible.

The beautiful

Let’s look at a few examples of parallax scrolling that really amp up the wow factor:

Life Of Pi

The website for the movie Life of Pi illustrates the incredible journey of not only the characters in the film but also of the filmmakers who took on this challenging story.

Through the use of numerous still images taken from the film and pieced together, the implementation of the scrolling technique here gives the illusion of video content, providing an element of motion that really enhances the presentation.

Other effects used include images that start out black and white or as sketches and are colored in as you scroll down the page, as well as content that appears from the sides of the screen. In this way, the site is the perfect reflection of a film that relies heavily on visual effects, recreating that feeling of “movie magic” on the screen for its visitors.

Rimmel London

Rimmel London's site uses a traditional parallax effect, where images of the company's products appear in the foreground and scroll at a different rate than those in the background. This gives the site a sense of visual interest and perception of dimension that you simply would not get with flat, static photographs.

Parallax.js

This site, which is a sandbox aimed at web developers, has an incredibly complex and layered implementation of the parallax effect.

The scene depicted has multiple layers of ocean waves that move at different speeds and patterns along with a lighthouse that bobs up and down to give the illusion of an undulating seascape. For added effect, users on mobile devices equipped with a gyroscope can use the orientation of the device to manipulate the way the page moves and flows.

As this intricately layered demonstration of the parallax scrolling effect shows, with so many layers and axes of motion at your disposal, there is a mind-boggling array of possibilities for the kind of experience you could design for your visitors.

Make Your Money Matter

The purpose behind this website is to illustrate the difference between putting your money in a bank versus a credit union.

As you scroll down the page, a series of whimsical illustrations are layered into the page to tell the story of “where your money really goes” when you put it in a bank. In doing so, a topic that is fairly dry and serious becomes much more engaging and approachable through the strength of its presentation. The end result is much more powerful than it would be had the site’s owners simply published a flat page of content and bullet points relating this same information.

Sony

In much the same way as the site for Life of Pi, Sony uses a series of photographic images strung together to create the sensation that the visitor is watching a video in motion, as Sony’s products – ranging from a 4k television screen, speakers, a smartphone and more – appear to assemble themselves right before their very eyes.

This is a very cool presentation technique that far surpasses what traditional still photography alone could capture. Even a video of the product assembly process would not be nearly as engaging, because here, there is the added element of surrealism where the user’s scroll is what controls the build of the products.

TEDxGUC

The site for TedxGUC is far less intricate than others covered so far, but it’s still a great example of how parallax scrolling can deliver a narrative via the Web.

Using nothing but elementary illustrations and some well-written copy, this approach conveys its intended message much more effectively than it could through a few paragraphs of text alone. In fact, the strength of this site is in its simplicity, which goes to show that you do not need to be as over-the-top as the Life of Pi or Sony examples in order to use make effective use of the parallax scrolling technique. Sometimes, less is, in fact, more.

But does it convert?

The million dollar question is whether parallax scrolling has any measurable impact on the power of a website to convert leads and customers. While the results are still hazy on that front, a Purdue University study from 2013 did find that “although parallax scrolling enhanced certain aspects of the user experience, it did not necessarily improve the overall user experience.” This is, of course, just one attempt to evaluate a relatively new technique, but it is noteworthy.

That being said, this particular study did not take into account the memorability of the sites included. The ability of parallax scrolling sites to make a lasting impression is one of their key benefits – one which could theoretically have a very real effect on the site’s ability to capture and convert customers.

In summary

While the business benefits of parallax scrolling are yet to be fully determined, the visual wow factor of this technique is very appealing and is one of the main reasons it has become such a popular trend. In the end, like any element of web design and marketing, parallax scrolling is something that you and your trusted web development team will need to decide whether or not it is a fit for your brand and your website.

---